Besides: You need some of this time to have all these exciting experiences you'll later write about!
So my iron grip on some of my pens has loosened, I was willing to let some of them go and even my attitude towards new pen cravings has been affected. There's this Nakaya in unpolished shu I've liked on and off for a long time. I might be able to get one in November, but then - does it make sense as I don't seem to have sufficient time for the humble Nakaya selection I already possess?
Whatever I will decide, I'd like to show you two of the pens that have gone to new homes this year as they are - nevertheless and undoubtedly - beautiful!
Isn't this just an amazing shade of yellow? Yellow is rarely seen in pens and mostly for good reason as staining and transparency of the material have to be dealt with. Also the color has to be carefully nuanced as not to appear signal or neon yellow.
Montegrappa have solved all of these problems masterfully in their yellow Miya line. The color is warm and deep, coming alive with numerous shimmering streaks within the celluloid. Despite the light color the pen retains its beautifully solid appearance. Its nice weight adds to that as well.
If you'd like to read more about them, you might want to check out my post about the Montegrappa Alfa Romeo (based on the Miya shape and size).
So why let this one go? To my shame: Only to swap it for a Miya Argento in the same color as I like the yellow and turquoise Miya version even better with full sterling silver caps. Once I had managed to lay hands on an Argento in yellow for a really attractive price I decided I didn't need two of these yellow beauties.
(Let's call it "refining" the collection since it didn't really downsize it...)
The other pen I sold was a collectible I'd acquired pretty soon after my interest in fountain pens was first sparked: a Sailor Susutake Bamboo. I was fascinated with the smoked bamboo and its history, also the pen was fitted with an equally impressive nib: a Cross Emperor.
I still think this pen is an amazing work of art but you'd be hard pressed to find a pen less suitable for comfortable writing!
See this step from the section to the barrel?
The smoked bamboo is silky smooth and the Cross Emperor nib would have been truly interesting but as the pen was, all in all, so uncomfortable to hold I never explored it to its full extent.
It wasn't all that easy to let this one go since it is a true work of art but I'm still glad it has found a more appreciative owner now. It has gone to a new home in Finland.
Will I let some more of my pens go to new homes in order to keep only the ones that are true jewels to me - or will I continue being my old squirrel self and just hoard happily ever after? Who knows!
Have any of you restructured your pen inventories in the past? What were your reasons? How do you feel about it now?
Have a great week full of beautiful and exciting things to write about!
